[This first appeared at The Jagged Word on April 27.]
By the time you read this, I will be at the 19th annual Newport Beach Film Festival. Since I started attending with my brother, Jay, six or seven years ago, one of the things that I’ve come to appreciate is the short film program. This will be my second year as a short film programmer, but even before last year, I found that short films were among the more interesting and provocative films I saw. In fact, short films often make a film festival worthwhile, because you’re unlikely to see many of them anywhere else.
Sometimes shorts are made to secure funding for a feature film. Sometimes they’re made as a side-project to get a filmmaker’s name out there. Sometimes they’re made as a labor of love, simply because there’s a idea there. But short films don’t usually make any money. Except at film festivals, short films are rarely seen in theaters. You can find them more often now on streaming services, but they still are not nearly as prevalent as features.
You have to tell the story in a different way from a feature if you make a short film, similar to the difference between a novel and a short story. You don’t have the luxury of letting a narrative develop over 90 minutes. Very often, if the opening scene of a short doesn’t set the tone immediately, it’s not going to be successful.