[This first appeared on The Jagged Word on July 28]
Magnolia was the first movie I watched that opened up for me how films could tell stories of sin and redemption without explicitly proceeding from a Christian worldview. Admittedly, Magnolia is more on the sin than the redemption side. And yet, the raw emotion on display is what makes each character so compelling.
The opening collage of coincidences too striking to be coincidences informs the interwoven stories of the characters in the film. How much coincidence is enough to push someone over the edge into believing that something greater is at work? Is it fate or something stranger?